Theater is one of the most important and ancient literary arts, a mirror reflecting the realities of life and its issues, whether social, religious, or political. Theater strives to revive heritage, instill awareness, and shape the audience's understanding. Therefore, anyone studying dramatic literature must examine the context of a play's creation.

This book attempts to shed light on some of the plays of His Highness Sheikh Dr. Sultan Al Qasimi: (Aliya and Issam, Alexander the Great, Daesh and Al-Ghabra, The Book of God, Nimrod, The Return of Hulagu, and The Black Stone). Through these plays, he draws inspiration from Arab and Islamic history, evoking some of its events and figures, and offering a reinterpretation of history. He evokes moments of defeat, weakness, and humiliation for this nation, presenting the audience with the shortcomings and highlighting them for the purpose of addressing them. Simultaneously, he envisions the future with intellectual depth and cultural insight, rekindling hope in the reader. The book monitors the aesthetic, artistic, and linguistic aspects of the writer's theatrical text, reveals his tools and his creative vision through the most prominent artistic techniques he used, and analyzes the argumentation techniques in his theatrical discourse, especially those related to the argumentative links and factors that achieved the connection between the discourse and reality, and the connection between the writer and the recipient, thus facilitating the process of influencing and convincing the recipient through the demonstration of the argumentative energy.