FROM BESTSELLING ROMANCE AUTHOR ALEX WINTERS Book three in the Modern Herstory series School of Rock meets American Idol when a reluctant rock star butts heads with the fiery young producer of a hit TV show... A producer for a hit TV show "Wants it That Way" and all her newest star wants to say is "Bye, Bye, Bye" in this delightful, air guitar romp through the good old 90s in a hilarious new romcom that gives new meaning to the term "U Can't Touch This"! Scout Addison is a twenty-something associate producer for Hair Guitar, the premiere talent show for air guitar aficionados all over the world. An anonymous employee has sent in a video of a surprisingly agile, middle-aged restaurant manager putting up umbrellas on a restaurant patio. His "performance" is so unique-set to blaring 90s rock, of which he seems to know every chord, riff and note-that Brick Masters, the show's executive producer, insists he has to be on the show. Dash Graves is a forty-something manager at Summer's End, "where brunch happens all day". Fit but fed up, smart but shy, kind but no-nonsense, he is the resident father figure at a restaurant full of late teens and twenty-somethings who love him-but love to kid him even more. Poor Dash has no idea that two of his favorite employees have sent in a secret video of him dancing while putting up the patio's umbrellas during his morning routine, but finds out in a big way when a sexy TV producer shows up at the restaurant one day, ready to whisk him away to LA and a week's worth of filming a show he's never heard of, let alone wants to be a part of. When Dash says "no way," his corporate overlords insist it will be good for business and Scout is more than happy to spend the week with the surprisingly hunky-if grumpy-restaurant manager. When competition heats up and Scout doubts that Dash can win the contest after all, she tries to talk him out of it. But Dash has a past that ensures he will win, even if the competition is younger, fitter and flashier than Dash could ever hope to be. Will Dash "Creep" to the top of the charts, or will his first-ever performance on live TV sputter out like a "Candle in the Wind" and finally be "The End of the Road" for a love affair that never was?