Goran Petrovic Lotina is Research Fellow at the University of Warwick, UK, and Lecturer at Sciences Po Paris, France. He is an author, scholar and curator who has published widely on the interplay between art, politics, and theory. He is the author of Choreographing Agonism: Politics, Strategies and Performances of the Left (2021) Théo Aiolfi is a Marie Curie Cofund EUTOPIA Science and Innovation Fellow at CY Cergy Paris University, France. His interdisciplinary research is located at the intersection of politics and performance studies, focusing on the concept of populism as a political style. Anja Hartl is Assistant Professor at the Department of English at the University of Innsbruck, Austria. She is the author of Brecht and Post-1990s British Drama: Dialectical Theatre Today and editor of the Methuen Drama Student Edition of The Threepenny Opera. Her research focuses on contemporary British theatre, Victorian fiction and adaptation studies. She co-edits the Methuen Drama Agitations Series. William C. Boles holds the Hugh F. and Jeannette G. McKean Chair of English at Rollins College, USA. He edited Theater in a Post-Truth World: Text, Performance, and Politics and After In-Yer-Face: Remnants of a Theatrical Revolution and authored The Argumentative Theatre of Joe Penhall, Understanding David Henry Hwang and Mike Bartlett. |