We move the tales of "One Thousand and One Nights" to fictional worlds, which are not reasonable or reasonable for authority. Rather, they triumph for myth and deepen their impact, away from the reality of reality, so we drowned in its interlocking events listed in texts that are filled with rhetorical photography and literary workmanship. Taha Hussein realizes the great heritage value that this work holds; He deliberately used it as a bowl that transmits his ideas without making the narration a controlle in the text, so he tells us about "Shahryar" after a thousand nights of hearing the stories of "Shahrazad" and he has changed something in himself, so that the most obsessive king who burns himself is lust and dominates anger, but rather afflicted him A kind of anxiety made by thirst for knowledge, as he set out looking for symbols and meanings behind the ambiguity of "Shahrazad" and their stories, and anything that is filled with symbols more than dreams?! He began to sneak every night to see her dreams, trying to stand behind the meanings.