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Jon Stratton is Adjunct Professor in UniSA Creative at the University of South Australia and a member of the university's Creative People, Products and Places Research Centre. Jon has worked at universities in the UK and Australia and held a Rockefeller Fellowship at the University of Iowa in 1998. His areas of interest include Popular Music, Cultural Studies, Australian Studies, Jewish Cultural Studies and Media Studies. He is the sole author of 12 books and has co-edited four. In 2002 he published Australian Rock: Essays on Popular Music. His most recent books include Black Popular Music in Britain since 1945 (edited with Nabeel Zuberi, 2014), When Music Migrates: Crossing British and European Racial Faultlines 1945-2010 (2014) and An Anthology of Australian Albums: Critical Engagements (edited with Jon Dale and Tony Mitchell, 2020). Jon Dale is a writer and researcher based in Melbourne, Australia. He teaches across a number of fields (popular music, experimental writing, media studies, criminology, sociology, screen studies) at a number of institutions. He also writes for the English music magazine Uncut, and contributes liner notes and essays to a number of record labels and other publications. He is currently working on several books about DIY and post-punk music, and texts on experimental film and diary film making. He also runs the record labels Tristes Tropiques and Rose Hobart. Tony Mitchell is an honorary research associate at the University of Technology, Sydney, Australia. He is the author of Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania (1994), editor of Global Noise: Rap and Hip hop outside the USA (2001), co-editor of North Meets South: Popular Music in Aotearoa New Zealand (2004), Sounds of Then, Sounds of Now: Popular Music in Australia (2007), Home, Land and Sea: Situating Music in Aotearoa New Zealand (2011), and Sounds Icelandic (forthcoming 2017). |
