Chinese-Islamic studies have concentrated thus far on the arts of earlier periods with less attention paid to works from the Qing Dynasty (1644-1912). This book focuses on works of Chinese-Islamic art from the late seventeenth century to the present day and bring to the reader's attention several new areas for consideration. "While this book is certainly a useful tool for a specialist audience thanks to its expansive bibliography and rich references for further in-depth studies, it remains usable by anyone seeking information on Chinese artistic production's complex network of historical, commercial, and cultural intersections with the Islamic world." --CAA Reviews