In this important new work, Christine Battersby undertakes an exploration of the nature of the sublime, one of the most important topics in contemporary debates about modernity, politics and art. 'Battersby's new study offers challenging arguments backed up by detailed textual analysis; her treatment of Kant is a real tour de force, and the writing is clear and vivid. The examination is especially deep on the subjects of gender, the female, and the feminine in relation to the concept of the sublime.' - Carolyn Korsmeyer, University at Buffalo, USA '?a rich and insightful treatment of the aesthetics and the politics of the sublime. It is impressive not only for its historical range and philosophical perspicuity, but likewise for its thoughtful treatment of questions of race, gender and the event of 9/11. Philosophers, political theorists, and students of cultural studies alike will benefit from Battersby's original and nuanced intervention.' - Robert Gooding-Willliams, The University of Chicago, USA 'Christine Battersby's deep understanding of the history of the idea of the sublime has enabled her to present a new account of it that is sensitive to multicultural and especially feminist concerns. This wonderfully informative and stimulating study deserves a wide readership.' - Robert Bernasconi, The University of Memphis, USA