An exploration of early modern encounters between Christian Europe and the (Islamic) East from the perspective of performance studies and performativity theories, this collection offers new perspectives on how these cultural contacts were acted out on the real and metaphorical stages of theatre, literature, music, diplomacy and travel. 'This collection brings together a multidisciplinary set of essays drawing on performance studies and performativity theory to assess western European cultural encounters with the Islamic east during the sixteenth and seventeenth centuries. Original contributions on diplomatic and mercantile performances, global commodity exchange and the stage, and dramatic productions ranging across media and extending from the early modern to the postmodern deepen the substantial body of criticism on this encounter and offer new approaches through material culture, art history, and musicology.' Bernadette Andrea, Department of English, University of Texas at San Antonio, author of Women and Islam in Early Modern English Literature '... this volume is to be welcomed for its expansion of the subject into a wide range of areas, and for covering this fascinating and multi-faceted topic under one roof...' Review of English Studies '... the editors Sabine Schülting, Sabine Lucia Müller, and Ralf Hertel have made an excellent contribution to the flourishing scholarship on Anglo-Islamic encounters in literary studies ... This collection is surely a great intervention into the conversations about transculturalism, global economies, and cross-cultural encounters in a wide array of disciplines from literary and cultural studies, to history, geography, music, and history of art.' Renaissance Quarterly